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・ Santirad Weing-in
・ Santiram Mahato
・ Santiria
・ Santiria apiculata
・ Santiria dacryodifolia
・ Santiria griffithii
・ Santiria impressinervis
・ Santiria kalkmaniana
・ Santiria laevigata
・ Santiria nigricans
・ Santiria sarawakana
・ Santiria tomentosa
・ Santisima Trinidad (Taiwan)
・ Santiso
・ Santissima Annunziata
Santissima Annunziata Maggiore, Naples
・ Santissima Annunziata, Barga
・ Santissima Annunziata, Circello
・ Santissima Annunziata, Florence
・ Santissima Annunziata, Lucignano
・ Santissima Annunziata, Parma
・ Santissima Annunziata, Pesaro
・ Santissima Trinità
・ Santissima Trinità a Via Condotti
・ Santissima Trinità alla Cesarea, Naples
・ Santissima Trinità degli Spagnoli, Naples
・ Santissima Trinità dei Pellegrini
・ Santissima Trinità dei Pellegrini, Naples
・ Santissima Trinità dei Pellegrini, Rome
・ Santissima Trinità delle Monache, Naples


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Santissima Annunziata Maggiore, Naples : ウィキペディア英語版
Santissima Annunziata Maggiore, Naples

The Santissima Annunziata Maggiore is a basilica church located in the quartieri Pendino near Forcella, in the historic center of Naples, Italy.
==History==
In the ancient Roman era, the city baths and gymnasium of ''Neapolis'' were located in this area. In 1318, Sancha of Aragon, the wife of Robert of Anjou, ceded some land to the lay Congregation of the Santissima Annunziata to establish an institution for care of ''foundlings''. The original church was located at the site of the current hospital, since fragments of 14th-century frescoes of the school of Roberto d'Odirisio were found there. The Angevin church however was razed by 1513, when a larger church was started. the architect Ferdinando Manlio, was likely involved. The bell tower was commissioned by the Baron Troiano di Somma.
Little survives of this church and its decoration; in 1757 a fire destroyed nearly all the church except for the sacristy, the chapel of the Treasury and the Carafa chapel. The next reconstruction followed a design by Luigi Vanvitelli, and was completed by his son Carlo. The church as we see it today was consecrated in 1774 and the concave facade added in 1782. Ferdinando Fuga helped rebuild the adjacent complex. The gray and white interior is a sober statement of "anti-Baroque", with a theme of coupled Corinthian columns under an unbroken entablature; paired ribs carry the columns upwards in skeletal semi-circular arches that articulate the coffered barrel vaulting. There are works by Giuseppe Sanmartino.

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